by Megan Hart
Twenty years ago she had her whole life spread out before her. She was Bess Walsh, a fresh-scrubbed, middle-class student ready to conquer the design world. And she was taken. Absolutely and completely.
But not by Andy, her well-groomed, intellectual boyfriend who had hinted more than once about a ring. No. During that hot summer as a waitress and living on the beach, she met Nick, the moody, dark-haired, local bad boy. He was, to put it mildly, not someone she could take home to Daddy.
Instead, Nick became her dirty little secret— a fervent sexual accomplice who knew how to ignite an all-consuming obsession she had no idea she carried deep within her.Bess had always wondered what happened to Nick after that summer, after their promise to meet again. And now, back at the beach house and taking a break from responsibility, from marriage, from life, she discovers his heartbreaking fate—and why he never came back for her. Suddenly Nick's name is on her lips…his hands on her thighs…dark hair and eyes called back from the swirling gray of purgatory's depths.
Dead, alive, or something in between, they can't stop their hunger.
She wouldn't dare.
(my highlights)
Of course, not all romance writers adhere to this particular philosophy. Take this, er, confident woman from AllExperts.com, in response to an inquiry about what sort of language should be used in in writing this sort of book:
"Personally, I'm not a fan of the flowery filler-words used in older romance novels. I'd rather them just get straight to the point with the real word."
Well, okay then.
(image via eHarlequin.com)

